Bibliography
Works Cited and Bibliography
Albertina. “Talk with the artist” in Jim Dine: I Never Look Away. (2016). Web.
Alloway, Lawrence. Six Painters and the Object . New York, NY: Guggenheim Museum. 1963.
Applin, Jo. Eccentric Objects: Rethinking Sculpture in 1960s America. New Haven: Yale University Press, 2012
Bernstein, Roberta et al. Jasper Johns: Catalogue Raisonné of Painting and Sculpture. New York, NY: Wildenstein Plattner Institute, 2017.
Bischofberger, Christina. Jean Tinguely: Catalogue Raisonné Sculptures and Reliefs 1954-1968. Zurich: Galerie Bruno Bischofberger, 1982.
Bradnock, Lucy et al. Lawrence Alloway: Critic and Curator. Los Angeles: Getty Research Institute, 2015.
Bui, Phong, and Sandler, Irving. “Peter Saul with Irving Sandler and Phong Bui.” The Brooklyn Rail, December 7th, 2010. Accessed December 5th, 2016.
Cashdan, Marine. “Jim Dine,” Artsy, 2016. Web.
Celant, Germano.Jim Dine; Walking Memory, 1959-1969. New York, NY: Guggenheim Museum, 1999.
Collins, Bradford R. "Reclamations: Rosalyn Drexler's Early Pop Paintings, 1961-67," in Seductive Subversion: Women Pop Artists, ed. Sid Sachs & Kalliopi Minioudaki. New York, NY: Abbeville Press Publishers, 2010.
Chase, Jeffrey K. "Reviewer Notes Various Levels in Quality, Style of Guggenheim Experimental ‘Pop Art’ Collection." The Michigan Journalist, November 7, 1963.
“Claes Oldenburg, American Sculptor,” The Art Story: The Modern Art Insight. Accessed December 7, 2016.
"Coffee Cup Opens July 1." Ann Arbor News, May 11, 1962.
Cotter, Holland. “Provocateur: The Peter Saul Manifesto.” New York Times. August 15, 2008. Accessed December 6, 2016.
Crawford, Alice. “Pop Art Called Anti-Art.” Ann Arbor News, Oct. 17, 1963.
Dervaux, Isabelle (ed). Roy Lichtenstein: Black & White 1961-1968. Stuttgart: Hatje Cantz Verlag, 2011.
Dine, Jim. Letter to Audrey Sabol, ca. 1962 (1962). Audrey Sabol papers, 1962-1967. Archives of American Art, Smithsonian Institution.
Doner, Michele Oka. Personal interview with Rebecca Zurier and Joshua Mound. July 22, 2016.
Durkee, Stephen. “What Is Pop Art?" Interview by G.R. Swenson. ARTnews, 62 (February 1964).
Field, Richard S. Jasper Johns Prints 1960-1970. New York, NY: Praeger, 1970.
Frei, Georg and Neil Printz (eds.), The Andy Warhol Catalogue Raisonné, Paintings and Sculpture 1961-1963, Volume 1. London: Phaidon, 2002.
"Grand Opening of Mel's Dining Room." Ann Arbor News, August 23, 1963
Greenberg, Clement. “Avant-garde and Kitsch” Partisan Review, no. 6 (1939): 34-49.
Hopps, Walter. James Rosenquist: A Retrospective. New York, NY: Guggenheim Museum, 2003.
Janis, Sidney. The New Realists: International Exhibition. New York: Janis Gallery, 1962.
“Jean Tinguely,” Museum Tinguely. Accessed November 11, 2016..
Johns, Jasper, Kirk Varnedoe, and Christel Hollevoet. Jasper Johns: Writings, Sketchbook Notes, Interviews. New York: Museum of Modern Art, 1996.
Johnson, Ellen H. Claes Oldenburg. Baltimore: Penguin Books, 1971.
Kaufman, Irving. Letter to Samuel Sachs, II. August 4, 1963. Museum of Art University of Michigan Records 1946-2003, Box 5, Bentley Historical Library, University of Michigan.
Kinsey, Rich. "Drake's Sandwich Shop Was a Favorite among Ann Arbor Cops." Ann Arbor News, November 18, 2010.
Lawrimore, Scott. Buster Simpson: Surveyor. Seattle: Frye Museum, 2013.
Levin, Miriam. “Pop Art: An Expression of Modern Life,” Michigan Daily. October 20,1963.
Lichtenstein, Roy. "What Is Pop Art?" Interview by G.R. Swenson. ARTnews, 62 (November 1963).
Lind, Louise, Linda Zitomer, and Harvey Witosky. "Reminds Me of the A&P’: ‘Pop Art’ Exhibition Elicits High Interest, Hot Criticism," The Michigan Journalist. October 17, 1963.
McCarthy, David. "Defending Allusion: Peter Saul on the Aesthetics of Rhetoric." Archives of American Art Journal 46, no. 3/4 (2007): 46-51.
_____________. H.C. Westermann at War: Art and Manhood in Cold War America.Newark: Univ. Delaware Press, 2004.
Minioudaki, Kalliopi, "Rosalyn Drexler: Madly and Transgressively Embracing the Vulgarity of Life," in Siegel, Katy.Rosalyn Drexler: Who does She Think She Is?, New York, NY: Gregory R. Miller & Co., 2016.
Moilanen, Kathy. "Days of The Roundtable." Ann Arbor News, June 30, 1991.
Monteith, Sharon. American Culture in the 1960s. Edinburgh: Edinburgh University Press, 2008.
Nash, Steven A. Wayne Thiebaud: A Paintings Retrospective. New York, NY: Thames & Hudson, 2000.
Oldenburg, Claes. Drawings and Prints,ed Gene Baro.London; New York: Chelsea House, 1969.
Oren, Michel. “USCO: Getting Out of Your Mind to Use Your Head.” Art Journal 69,no. 4 (2010):76-95.
"Peter Saul: Early Paintings and Related Drawings, 1960-1964." Peter Saul: Early Paintings and Related Drawings, 1960-1964 - Exhibitions - George Adams Gallery. George Adams Gallery, n.d. Web. 09 Dec. 2016.
Rachleff, Melissa. Inventing Downtown: Artist-Run Galleries in New York city, 1952-1965. New York, NY: Grey Art Gallery, New York University, 2017.
Rammohan, Yasmin. "H.C. Westermann." H.C. Westermann. January 10, 2012. Accessed December 05, 2016.
Rauschenberg Foundation Website. Web. Accessed April 25, 2019.
Rooks, Michael & Warren, Lynn. H.C. Westermann: Exhibition Catalogue and Catalogue Raisonne of Objects. New York: Harry Abrams, Inc., 2001.
Rosenberg, Harold. “The Game of Illusion” New Yorker November 24, 1962: 141-47.
Sachs, Samuel II. Letter to Alan Frumkin, August 9, 1963. Museum of Art University of Michigan Records 1946-2003, Box 5, Bentley Historical Library, University of Michigan
________. Letter to Allan Frumkin, 17 October 1963, Museum of Art University of Michigan Records 1946-2003, Box 5, Bentley Historical Library, University of Michigan
________. Letter to Irving Kaufman, August 7, 1963, Museum of Art University of Michigan Records 1946-2003, Box 5, Bentley Historical Library, University of Michigan
Sachs, Samuel II and Irving Kaufman. A New Realist Supplement. Ann Arbor, Michigan: University of Michigan Museum of Art, 1963.
Sawyer, Charles H. Letter to R. Haas, University of Michigan News Service, October 3, 1963, Museum of Art University of Michigan Records 1946-2003, Box 5, Bentley Historical Library, University of Michigan.
Siegel, Katy., ed. Rosalyn Drexler: Who Does She Think She Is? New York: Gregory R. Miller &Co., 2016.
Steinberg, Leo. "Contemporary Art and the Plight of its Public." Harper's Magazine 224, no. 1342 (1962): 31.
Stone, Allan. Letter to Samuel Sachs, II, September 7, 1963. Museum of Art University of Michigan Records 1946-2003, Box 5, Bentley Historical Library, University of Michigan.
Tobin, James. "Limeade and Love: Memories of Drake’s Sandwich Shop." Michigan Today, June 20, 2012.
Ursprung, Philip. Allan Kaprow, Robert Smithson, and the Limits to Art. Berkeley: University of California Press, 2013.
Wesselmann, Tom and Claire. Tom Wesselmann Draws. New York: Haunch of Venison, 2009.
‘What Follows’ Interview Series: Peter Saul." YouTube. YouTube, 19 Sept. 2012. Web. 09 Dec. 2016.
A Note on Images Provided by the Artist Rights Society
"Reproduction, including downloading of ARS member works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York."